Top Mexican Music Acts GET THE BOOT As Visa Blacklist Grows
Mexican regional music groups Grupo Firme and Los Dos Carnales have had their U.S. visas revoked, leading to canceled concerts and sparking speculation about other artists facing similar issues.

The fiesta may be over for some of Mexico's hottest music acts. Uncle Sam has rolled up the welcome mat, yanking the visas of chart-topping bands Grupo Firme and Los Dos Carnales, leaving their American fans high and dry and the artists themselves in a world of hurt. The move is part of a larger crackdown on so-called "narcocorridos" - ballads that U.S. officials say glorify drug lords and cartel violence.
Sources inside the whisper that a "blacklist" is growing, and more big names in the wildly popular regional Mexican music scene could be next on the chopping block.
Grupo Firme, the undisputed kings of the genre, were forced to axe their highly anticipated performance at a major California music festival on June 1st. The band and their management, Music VIP Entertainment, announced that their visas are currently stuck in "an administrative process" with the U.S. Embassy, making it "impossible" for them to cross the border.
In a statement that left fans reeling, the group said, "We will soon provide more details about our new American tour dates as we find a way to meet again and sing, dance, and enjoy ourselves together."
Meanwhile, the outspoken members of Los Dos Carnales are also feeling the heat. One of the band's vocalists, Imanol Quezada, responded to the visa woes with a healthy dose of sarcasm. "This serves as a break," he quipped online, adding with a wink, "And how is this going to affect my 'sincere accordions'?"
The tough talk comes as no surprise to those who follow the duo, known for their swagger and straight-shooting lyrics. But behind the bravado, the financial hit of a canceled U.S. tour could be devastating.
And the blacklist doesn't stop there. The "En La Mira" (In the Crosshairs) section of a recent report has put the entire genre on notice, with heavyweights like Natanael Cano, Junior H, and Luis R. Conriquez all reportedly under the microscope.
Cano, a pioneer of the "corridos tumbados" subgenre, has faced scrutiny for his raw and unapologetic lyrics. Junior H has also had past U.S. performance cancellations due to visa complications. Conriquez, another major player in the scene, has seen his U.S. shows postponed, with insiders citing similar visa-related roadblocks.
The U.S. government's hardline stance appears to be a direct response to the content of the music. While fans argue it's simply a reflection of the harsh realities of life in parts of Mexico, officials seem to view it as a dangerous glamorization of criminal enterprises. The message from Washington is clear: sing a different tune, or sing it somewhere else. For now, the future of live regional Mexican music in the United States hangs in the balance, caught between artistic expression and international politics.